Read The Chronicles Of Narnia Books Online Free
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I wrote this story for you, but when I began it I had notrealized that girls grow quicker than books. As a result youare already too old for fairy tales, and by the time it isprinted and bound you will be older still. But some day youwill be old enough to start reading fairy tales again. Youcan then take it down from some upper shelf, dust it, andtell me what you think of it. I shall probably be too deaf tohear, and too old to understand a word you say, but Ishall still be
Meanwhile the girls were helping Mrs. Beaver to fill thethe kettle and lay the table and cut the bread and put theplates in the oven to heat and draw a huge jug of beerfor Mr. Beaver from a barrel which stood in one cornerof the house, and to put on the frying pan and get thedripping hot. Lucy thought the Beavers had a very snuglittle home though it was not at all like Mr. Tumnus'scave. There were no books or pictures and instead of bedsthere were bunks, like on board ship, built into the wall.And there were hams and strings of onions hanging fromthe roof and against the walls were gum boots and oilskinsand hatchets and pairs of shears and spades and trowelsand things for carrying mortar in and fishing rods andfishing nets and sacks. And the cloth on the table tho'very clean was very rough.
Although Lewis originally conceived what would become The Chronicles of Narnia in 1939[1] (the picture of a Faun with parcels in a snowy wood has a history dating to 1914),[2] he did not finish writing the first book The Lion, the Witch and the Wardrobe until 1949. The Magician's Nephew, the penultimate book to be published, but the last to be written, was completed in 1954. Lewis did not write the books in the order in which they were originally published, nor were they published in their current chronological order of presentation.[3] The original illustrator, Pauline Baynes, created pen and ink drawings for the Narnia books that are still used in the editions published today. Lewis was awarded the 1956 Carnegie Medal for The Last Battle, the final book in the saga. The series was first referred to as The Chronicles of Narnia by fellow children's author Roger Lancelyn Green in March 1951, after he had read and discussed with Lewis his recently completed fourth book The Silver Chair, originally entitled Night under Narnia.[4]
Fans of the series often have strong opinions over the order in which the books should be read. The issue revolves around the placement of The Magician's Nephew and The Horse and His Boy in the series. Both are set significantly earlier in the story of Narnia than their publication order and fall somewhat outside the main story arc connecting the others. The reading order of the other five books is not disputed.
Eustace Clarence Scrubb is a cousin of the Pevensies, and a classmate of Jill Pole at their school Experiment House. He is portrayed at first as a brat and a bully, but comes to improve his nasty behaviour when his greed turns him into a dragon for a while. His distress at having to live as a dragon causes him to reflect upon how horrible he has been, and his subsequent improved character is rewarded when Aslan changes him back into a boy. In the later books, Eustace comes across as a much nicer person, although he is still rather grumpy and argumentative. Nonetheless, he becomes a hero along with Jill Pole when the pair succeed in freeing the lost Prince Rilian from the clutches of an evil witch. He appears in The Voyage of the Dawn Treader, The Silver Chair, and The Last Battle.
Lewis was widely read in medieval Celtic literature, an influence reflected throughout the books, and most strongly in The Voyage of the Dawn Treader. The entire book imitates one of the immrama, a type of traditional Old Irish tale that combines elements of Christianity and Irish mythology to tell the story of a hero's sea journey to the Otherworld.[39][40]
A quantitative analysis on the imagery in the different books of The Chronicles gives mixed support to Ward's thesis: The Voyage of the Dawn Treader, The Silver Chair, The Horse and His Boy, and The Magician's Nephew do indeed employ concepts associated with, respectively, Sol, Luna, Mercury, and Venus, far more often than chance would predict, but The Lion, the Witch, and the Wardrobe, Prince Caspian, and The Last Battle fall short of statistical correlation with their proposed planets.[45]
Lewis read Edith Nesbit's children's books as a child and was greatly fond of them.[51] He described The Lion, the Witch, and the Wardrobe around the time of its completion as "a children's book in the tradition of E. Nesbit".[52] The Magician's Nephew in particular bears strong resemblances to Nesbit's The Story of the Amulet (1906). This novel focuses on four children living in London who discover a magic amulet. Their father is away and their mother is ill, as is the case with Digory. They manage to transport the queen of ancient Babylon to London and she is the cause of a riot; likewise, Polly and Digory transport Queen Jadis to London, sparking a very similar incident.[51]
The novel Bridge to Terabithia by Katherine Paterson has Leslie, one of the main characters, reveal to Jesse her love of Lewis's books, subsequently lending him The Chronicles of Narnia so that he can learn how to behave like a king. Her book also features the island name "Terabithia", which sounds similar to Terebinthia, a Narnian island that appears in Prince Caspian and The Voyage of the Dawn Treader. Katherine Paterson herself acknowledges that Terabithia is likely to be derived from Terebinthia:
Lev Grossman's New York Times best-seller The Magicians is a contemporary dark fantasy about an unusually gifted young man obsessed with Fillory, the magical land of his favourite childhood books. Fillory is a thinly veiled substitute for Narnia, and clearly the author expects it to be experienced as such. Not only is the land home to many similar talking animals and mythical creatures, it is also accessed through a grandfather clock in the home of an uncle to whom five English children are sent during World War II. Moreover, the land is ruled by two Aslan-like rams named Ember and Umber, and terrorised by The Watcherwoman. She, like the White Witch, freezes the land in time. The book's plot revolves heavily around a place very like the "wood between the worlds" from The Magician's Nephew, an interworld waystation in which pools of water lead to other lands. This reference to The Magician's Nephew is echoed in the title of the book.[65]
If you are a lower intermediate English learner, and the books or audio version are too difficult for you, see if you can find them in your language. If you read them first in your language, the English versions will be easier for you to understand.
This quote seems to answer the matter with finality: the best way to read the books is not the order in which they were originally published, but the order in which they take place within the world of Narnia.
It should be noted that Lewis modeled Calormen after Persian and Ottoman Turkish empires, which brings with it some out-dated and cringe-worthy racial stereotypes. However, through setting this book through the eyes of neighbouring countrymen, and women, Lewis offers a new perspective to Narnia. Regardless of whether you choose to read the books in chronological or publication order, Narnia will be familiar and comforting by the time you reach The Horse and His Boy, and this new perspective is refreshing.
Why listen to audiobooks though? Well, there are probably some books you intend to read, but never get round to it. Classic novels are a great example of this, and most of them are available as free audiobooks.
Stephen King has written some of the best horror books to scare you. So who better to read one of his short stories than the master himself? At the University of Massachusetts Lowell, King read out Afterlife to the audience, and it has now been uploaded to YouTube by the university, free for anyone to watch and listen to.
The Chronicles of Narnia is now a famous movie series, but if you want a taste of the original books, they are free to stream online. Renowned children's literature author Chrissi Hart was given permission to read out the entire seven-book fantasy series on her podcast, and it's still available for listening.
The Great Gatsby is one of a number of classic novels you can read for free on Kindle. But the trouble with the classics is that you never seem to get around to reading them. Instead, try streaming an audiobook version whenever you have some free time. And in the case of The Great Gatsby, it's read by one of the most famous and respected audiobook narrators, Frank Muller.
With any of these audiobooks, you will usually need to listen to them from start to end or remember the point you paused it at. Unlike dedicated audiobook apps, these free audiobooks won't resume playing if you close the window.
Among audiobook apps, Audible is probably the best. While it's a paid service, there's a free trial you can use to download and listen to 1 audiobooks and 2 Audible Originals for free. If you take advantage of it, here are some of the best audiobooks to listen to during your Audible trial.
For children who have difficulty reading, one solution is to have them follow the audio version along in a written text.Librivox free audio is done by volunteers, and some are better than others. Heidi Nash has a list of some favorite Librivox readers. Be aware that apps, including Librivox, that have clickable ads can open a browser and allow children unfiltered access to the internet, even when browsers have been disabled by the parent. There are options: either download mp3 files from Librivox and listen without the app, or only install the app on a parent-controlled device. Librivox has a pay option to turn off ads. 2b1af7f3a8